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The James Joyce Collection at the University of Buffalo received a significant donation of Joyce's composition materials for Finnegans Wake, comprising 156 pages of densely annotated notebooks spanning 1924-1938. These documents showcase Joyce's extraordinary method of linguistic construction: pages featuring words in various languages, phonetic variations, puns constructed across multiple tongues, and architectural sketches for the novel's cyclical structure. The manuscripts reveal Joyce's systematic approach to creating portmanteau words, with cross-references to etymological sources. Several pages contain Joyce's commentary on his own wordplay, justifications for structural choices, and notes on reader reception. Particularly valuable are passages showing how Joyce revised and rerevised single paragraphs, sometimes producing five or six versions. The collection includes correspondence between Joyce and his literary assistant, Paul Léon, discussing specific passages. These materials provide unprecedented insight into one of modernism's most experimental and demanding works, demonstrating that Joyce's apparent chaos was in fact meticulously planned.