The Unreliable Body: Let Physical Sensations Betray the Truth
The key to mastering this technique is specificity and restraint. Don't catalog every physical sensation—choose one or two that carry symbolic weight. In Kazuo Ishiguro's 'The Remains of the Day,' butler Stevens rarely admits his feelings for Miss Kenton, but Ishiguro frequently describes Stevens becoming acutely aware of his own posture, the stiffness of his stance, the careful placement of his hands—his body performing control while his emotional life strains beneath the surface.
Another master of this technique is Ian McEwan. In 'Atonement,' when Briony witnesses the fountain scene between Cecilia and Robbie, McEwan describes her physical experience of watching—the heat of the day, the weight of her own body pressed against the window—sensations that become charged with the confusion of what she thinks she understands.
To practice this: write a scene where a character delivers good news they secretly resent sharing. Never state their resentment. Instead, focus entirely on physical sensations that subtly undermine their cheerful words. Does their voice sound strange in their own ears? Does the congratulatory handshake last a beat too long? Does the room feel smaller than it did moments before?
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